Cape Town loves to call itself a “creative city,” but the truth is harsher: creativity here often survives despite the system, not because of it. Too many brilliant young operators end up trapped in a loop of gig-to-gig survival — curating other people’s line-ups, building other people’s brands, making someone else’s vision feel inevitable. That’s why Thembalethu “Jose” Hadebe launching Juggernaut Entertainment matters more than a personal career milestone. It’s a case study in what South Africa’s culture economy actually needs right now: young creative entrepreneurs building passion-driven businesses with long-term intent.
In a music economy increasingly shaped by experiences rather than recordings, the most valuable move an artist can make is…
There’s an immediate clarity to NANI?!’s latest EP, Everyone’s Lookin’ At Me, before a single note is played. The artwork…
It’s not easy to go back. Especially when “back” isn’t a place but a version of yourself you’ve outgrown. For…
It starts quietly: a few artists pulling their catalogues, a few more muttering about payouts and principles. But lately, the…
It makes sense that Champion Trees’ latest releases feel more like autumn than spring, since they’re now singing to us…
These days, too many events feel designed for people who drift in, snap a few photos, and leave before the…
In recent years, many musicians and fans have questioned whether jazz still carries the same political charge it once did.…
A few years ago, landing a track on RapCaviar was akin to winning the lottery. Today, the same placement feels…
For a few hours on the evening of the first Thursday of September, Cape Town’s music scene witnessed a shift.…
