There’s a particular kind of artist Cape Town produces every few years. Not the loudest in the room. But the kind whose growth feels inevitable in hindsight — as if each stage was simply waiting for them to arrive.
For Jabulile Majola, 2026 is shaping up as that year.
When Cellz stepped onto the stage at The House of Machines last week, it wasn’t just the final Cape Town…
Cape Town’s live circuit has always had a particular kind of magic: a city where the stage can feel like…
Cape Town loves to call itself a “creative city,” but the truth is harsher: creativity here often survives despite the…
In a music economy increasingly shaped by experiences rather than recordings, the most valuable move an artist can make is…
There’s an immediate clarity to NANI?!’s latest EP, Everyone’s Lookin’ At Me, before a single note is played. The artwork…
It’s not easy to go back. Especially when “back” isn’t a place but a version of yourself you’ve outgrown. For…
It starts quietly: a few artists pulling their catalogues, a few more muttering about payouts and principles. But lately, the…
It makes sense that Champion Trees’ latest releases feel more like autumn than spring, since they’re now singing to us…
These days, too many events feel designed for people who drift in, snap a few photos, and leave before the…
