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October 2026

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When Athenkosi Cetyana, better known by his stage name Internet Athi, left tech for music, he did not picture himself as a singer taking a leap. “I understood that I had become my own startup,” he says. Five years of information-systems work in Cape Town came with him, the funnels and the habit of treating a problem as something to be mapped. Even the album that made his name runs on that wiring. Polymorphism, released on Freedom Day this year, borrows its title from a programming idea, one object that can take many forms.

A locally-built app is trying to pull the city’s cultural life out of the global feed and into something human-curated. The idea is overdue. Whether the city shows up is the open question.

Every Cape Town musician knows the maths. You have a show. You try to think of a clever, unique, ‘authentic’ post that will cut through the algorithm. You post it. Then, to guarantee that people  actually see the post on the platform where you built your following, you pay. And the audience you are paying to reach sits inside a feed that also wants to show them, in Benji Anstey‘s words, “American bands, British comedians, Japanese politicians, and the world more broadly.”

Athie Mbilini, who DJs as Athie Umgido, has spent this year on stages most Cape Town producers will only ever read about. Awakenings in the Netherlands, a run through Ibiza that took in UNVRS for elrow, weeks of dates across Germany and Portugal. Then he comes home, and the European CV does not travel with him. Some weeks he still opens rather than headlines, because a booking here follows relationships as much as a record.