Cape Town loves to call itself a “creative city,” but the truth is harsher: creativity here often survives despite the system, not because of it. Too many brilliant young operators end up trapped in a loop of gig-to-gig survival — curating other people’s line-ups, building other people’s brands, making someone else’s vision feel inevitable. That’s why Thembalethu “Jose” Hadebe launching Juggernaut Entertainment matters more than a personal career milestone. It’s a case study in what South Africa’s culture economy actually needs right now: young creative entrepreneurs building passion-driven businesses with long-term intent.
In a music economy increasingly shaped by experiences rather than recordings, the most valuable move an artist can make is no longer just releasing…
There’s an immediate clarity to NANI?!’s latest EP, Everyone’s Lookin’ At Me, before a single note is played. The artwork is striking and memorable,…
It’s not easy to go back. Especially when “back” isn’t a place but a version of yourself you’ve outgrown. For bassist and composer Benjamin…
These days, too many events feel designed for people who drift in, snap a few photos, and leave before the night really begins. The…
In recent years, many musicians and fans have questioned whether jazz still carries the same political charge it once did. For Cape Town’s seven-piece…
A few years ago, landing a track on RapCaviar was akin to winning the lottery. Today, the same placement feels closer to a consolation…
By the time the last question was asked last Saturday afternoon, you could feel it: nobody wanted to leave. In a city where meaningful…
It’s tempting to start this piece with “despite the odds” or “against the grain.” But let’s not. Because here’s the truth: femme-presenting artists in…
