When Cellz stepped onto the stage at The House of Machines last week, it wasn’t just the final Cape Town date of The Voice In My Head South African tour. It was the closing note of a chapter that feels personal in ways most tour stops don’t.
Cape Town’s live circuit has always had a particular kind of magic: a city where the stage can feel like…
Cape Town loves to call itself a “creative city,” but the truth is harsher: creativity here often survives despite the…
In a music economy increasingly shaped by experiences rather than recordings, the most valuable move an artist can make is…
There’s an immediate clarity to NANI?!’s latest EP, Everyone’s Lookin’ At Me, before a single note is played. The artwork…
It’s not easy to go back. Especially when “back” isn’t a place but a version of yourself you’ve outgrown. For…
It starts quietly: a few artists pulling their catalogues, a few more muttering about payouts and principles. But lately, the…
It makes sense that Champion Trees’ latest releases feel more like autumn than spring, since they’re now singing to us…
These days, too many events feel designed for people who drift in, snap a few photos, and leave before the…
In recent years, many musicians and fans have questioned whether jazz still carries the same political charge it once did.…
