For all the scale and prestige that comes with the Cape Town International Jazz Festival (CTIJF), what stayed with us most this year was something more fundamental. It was the love in the room for live music played by actual people, in real time, on actual instruments. Not as nostalgia. Not as a niche concern. As something alive, urgent, and worth gathering for.
There’s a particular kind of artist South African house music produces every few years. Not always the loudest in the…
Cape Town loves music in a way that’s hard to argue with: you can feel it in the pockets of…
Cape Town’s music scene is usually discussed in fragments. The punk kids are over here. The jazz heads are somewhere…
There’s a particular kind of artist Cape Town produces every few years. Not the loudest in the room. But the…
When Cellz stepped onto the stage at The House of Machines last week, it wasn’t just the final Cape Town…
Cape Town’s live circuit has always had a particular kind of magic: a city where the stage can feel like…
Cape Town loves to call itself a “creative city,” but the truth is harsher: creativity here often survives despite the…
In a music economy increasingly shaped by experiences rather than recordings, the most valuable move an artist can make is…
There’s an immediate clarity to NANI?!’s latest EP, Everyone’s Lookin’ At Me, before a single note is played. The artwork…
