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It’s not easy to go back. Especially when “back” isn’t a place but a version of yourself you’ve outgrown. For bassist and composer Benjamin Jephta, revisiting his debut album ten years later wasn’t about nostalgia — it was about truth-telling. Homecoming Revisited, released on 19 September 2025, doesn’t try to reconstruct 2015. It listens to it from the other side of a decade — one that’s taken Jephta from the Cape Flats to Berklee, to stages around the world, and back to the South African jazz community that raised him.

It makes sense that Champion Trees‘ latest releases feel more like autumn than spring, since they’re now singing to us from the northern hemisphere. Before most of the band moved to England in early 2023, the band had a breakout two years surrounding the release of their debut album, NOW 3000, in July 2022. We gave the album a warmly appreciative review back then, praising its Western Cape sentimentality and heartening undercurrents. It should be no surprise then that we were very excited by the release of four new singles in anticipation of a full album, “I Wear a Shirt That Says Australia” , “I Want to Sound Like a Ghost” , “Gentle, Apple, Balanced”, and “Cabbage Song”.

In recent years, many musicians and fans have questioned whether jazz still carries the same political charge it once did. For Cape Town’s seven-piece collective Kujenga, those tensions pulse beneath every note of their new EP, Common Ground, a record that insists jazz — or what they call “Black Improvised Music” — still carries a responsibility to the times we live in.

By the time the last question was asked last Saturday afternoon, you could feel it: nobody wanted to leave. In a city where meaningful conversations about music often happen in snatched greenroom chats or late-night WhatsApp groups, VERVE’s latest workshop at Obz Books gave Cape Town’s creative community a rare chance to sit down together — artists, managers, journalists, and curious fans alike — and be heard.

It’s tempting to start this piece with “despite the odds” or “against the grain.” But let’s not. Because here’s the truth: femme-presenting artists in Cape Town and beyond aren’t breaking into the music scene — they’re helping build it. And if you’re not paying attention, you’re not just missing the moment. You’re missing the movement.